Two bourgeois bohemians shake up their tepid marriage, achieving only stasis in Gaffney's (The Goodbye Summer, 2004, etc.) innocuous latest. It hits Dash Bateman at another interminable faculty soiree: Her husband of 20 years, Andrew, associate history professor at tiny Mason-Dixon College in D.C., is a crashing bore. Not only does he say "em" instead of "um" though he's not British, he's a hypochondriac, beset by allergies. When he won't let her keep a puppy someone has abandoned in the doorway of their townhouse, Dash and dog flee to the Bateman's pond-side country cottage. At first, Andrew is too preoccupied with campus politics to register Dash's absence. He could win a promotion to full professor and department chair if only he'd compromise his liberal leanings by helping a right-wing colleague. Raven-haired, wasp-tongued academic Elizabeth appeals to Andrew's baser instincts as she tries to enlist him in her Machiavellian plots. Dash studies muskrats, photographs butterflies and gets embroiled in the lives of Shevlin, the cottage handyman, his wife Cottie, a recovering heart patient, and their hunky son-in-law Owen, clearly a salt-of-the-earth foil to Andrew. Owen is not only indispensable at closet building and kitchen-cabinet refinishing, he single-handedly works an organic farm and cattle ranch, plying Dash with duck eggs and homespun bromides. Dash commutes to Washington to run her photography studio with the help of new assistant Greta, who reminds her of herself at 25, when she was (improbably) a spiky haired punkette. Preternaturally calm Chloe, the Batemans' daughter, would mediate her parents' estrangement if only she could identify its source. Her bafflement is shared by a couples counselor, but readers will recognize in the separation a transparent plot device: Errant spouses are tempted by infidelity, though it's obvious neither will succumb. A trip to the hospital occasioned by folksy Cottie's arrhythmia and Andrew's not-so-imaginary affliction is enough to corral the principals for the inevitable happy and edifying denouement. Like its characters, risk averse. Copyright ©Kirkus Reviews, used with permission.

Dash Bateman and her husband, Andrew, share a house in Washington, DC. Or at least they did, until photographer Dash impulsively dashes off to their vacation cabin in rural Virginia, leaving history professor Andrew on his own. Surely, the dog abandoned on their porch couldn't be the reason for the sudden rift in their union. Here, Gaffney (The Goodbye Summer) paints a portrait of a marriage left too long unexamined, with both partners suddenly seeking change. Grieving over the recent death of her mother and with daughter Chloe off at college, Dash wants freedom from the predictability of life with her hypochondriacal spouse. Andrew finds peace from the maelstrom born of his disordered wife; he sees her desertion as a chance finally to be "bored." Will yoga be the answer for Dash? Or handyman/neighbor Owen, perhaps? Is young, straight-from-the-hip colleague Elizabeth going to solve Andrew's problems? Gaffney reveals her all-too-flawed characters bit by bit as each reviews life before and after saying their vows. Can a 20-year marriage survive such scrutiny? Patrons will want to read this one for the pure charm of Gaffney's writing. Highly recommended. [See Prepub Alert, LJ 4/15/07.]-Bette-Lee Fox, Library Journal (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Gaffney's latest (after The Goodbye Summer) chronicles a 20-year marriage on the verge of imploding. Vivacious, impulsive professional photographer Dash Bateman is the opposite of her worrywart, straitlaced husband, Andrew, a history professor at Mason-Dixon College. After Dash's mother dies and the couple packs off their daughter for her freshman year at college, Dash's crisis of purpose culminates with Dash fleeing her house and husband for an extended stay in the couple's isolated cabin. As they attempt to live without one another, Andrew flirts with a feisty younger colleague and salivates over the chance to be chair of his department (if he can navigate the politics), and Dash finds a substitute mother, daughter and potential love interest. Gaffney tells the story from both Dash's and Andrew's points-of-view, allowing readers to see how the two frustrate and fall in love with one another. The writing is lively, though scenes involving conversations about the nature of love and relationships can turn tedious. The climax teeters on the edge of being over the top, but the denouement is just rosy. It's a lot of fun, and the faults are easily forgiven. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved

"Not only men have midlife crises. Meet Dash Bateman. She is a free-spirited photographer who recently lost her mother and sent her daughter off to college. After a trivial fight with her history-professor husband, Andrew, over a puppy, Dash takes the dog and leaves. Tired of Andrew's boring faculty parties, his hypochondria, and his obsessive list making, Dash feels trapped in a life she didn't plan. Out at their cabin, Dash explores the possibilities of reinventing herself and her life on her own. But it is the people around her who challenge Dash's desires and dreams. Mrs. Bender acts as a wise, surrogate mother. Dash's best friend, Mo, is recently divorced and is playing the field with gusto. Greta, her young assistant, reminds Dash of her earlier self; and Owen the handsome handyman just might make her forget all about Andrew. Popular women's fiction writer Gaffney doesn't fuss over plot, instead creating a funny, lighthearted, and tender look at what brings people together, what makes a marriage, and what it takes to keep it together."--"Kubisz, Carolyn" Copyright 2007 Booklist