Gr 3--6--Told in three voices, this is a quick-paced story about a Long Island beach town, a mysterious baby, the sorrows of war, and the strength of unwavering hope. Eleven-year-old Julie and six-year-old Martha Sweet are on their way to attend the dedication of the new Belle Beach library when they discover a baby on the steps. In their haste to save the day, they don't notice an envelope drop to the ground; but their neighbor, Bruno Ben-Eli, does. Bruno has bigger concerns, however. Having received a secret letter from his brother overseas, Bruno is on his way to run an important errand in New York City. But now that he's a witness, he can't let Julie kidnap a baby! What unfolds is a jumbled time line of events told by all three children. Each chapter brings new insight, and more intrigue. Will the library's opening be a success? Will they hear news from Bruno's brother? Will Julie and Bruno become friends? And most importantly: Who is the baby in the basket? With expert character development and clever narration from three distinct perspectives, Hest seamlessly immerses her readers into the hopes and fears of war-time America. It's a simple premise: A baby found alone in a basket. Yet the complicated layering of events makes for a truly engaging and heartwarming story of steadfastness and solidarity. VERDICT Young readers will be drawn in by the mystery, stay for the characters, and sigh contentedly when the story draws to a close.--Rebecca Redinger, Lincoln Park Branch, Chicago P.L.

Hest (Letters to Leo) interlaces three perspectives to relay a story about two families living in a Long Island seaside town during WWII. Each credible voice is distinct yet complementary, shaping a richly layered, cohesive novel that is by turns heartwarming and heartbreaking. It opens with a bang, as 11-year-old Julie Sweet and her younger sister, Martha, find an infant in a basket on the library steps, and Julie impulsively decides to flee with it. Her on-again-off-again friend and nemesis Bruno Ben-Eli, 12, is on a mission for his beloved, greatly missed older brother, who's off serving in the war, when he sees the sisters with the baby. He surreptitiously follows them to the beach, where a stately woman in a chauffeur-driven car arrives with a picnic to share. Hest deftly deconstructs this scenario through Bruno's, Julie's, and Martha's flashbacks, escalating the intrigue before finally illuminating the identities of the baby and the woman--and why each has appeared. A poignant composite portrait of three children's--and two loving families'--hope and resilience in the face of loss and uncertainty. Ages 10--up. (Aug.)

The summer Bruno Ben-Eli's brother is in Europe fighting in WWII, the Sweet family comes to Belle Beach, Long Island, and rents the cottage next door to the Ben-Elis. The story begins early on the morning of August 31, as the Sweet sisters--Julie, 12, and Martha, 6--take a cake to the dedication of the new children's library. Their mission is interrupted when they find a baby in a basket on the library steps--and Julie takes the baby! Meanwhile, Bruno's secret trip into New York City (at the behest of his brother) is also interrupted by this event. Hest's unique narrative approach divides the book into sections that describe the incidents of August 31 and then go back to June 21, sequentially unfolding the summer's events. Her protagonists, Julie, Martha, and Bruno, alternately narrate, relaying their individual perspectives. Hest adeptly brings everything back to August 31, solving the mystery of the baby in the process. This historical tale engagingly presents ordinary life, while acknowledging the toll war can take on a community.

Three children, one baby, and a dog share a special time during World War II. Two sisters, their widowed father, and their dog who is "too scared to go in the ocean" are spending a wartime summer at a small beach town in Long Island, New York. Julie Sweet is 11, and her sister, Martha, is 6. Next-door neighbor Bruno Ben-Eli is 12 and has an older brother fighting overseas. The story opens with great drama as Julie finds a baby in a basket at the about-to-open children's library. Martha thinks that the baby is a doll, and Bruno, who is on his way to the train station to deliver a secret letter for his brother, finds an envelope that came with the well-cared-for baby. The three children each tell their stories in short, alternating chapters with very engaging voices, dialogue expressed in all-capital letters. Bruno is trying to sort out the whole girl thing while Julie claims that she "doesn't even like boys that much." Both families are strong and loving even as Bruno's mother frets about her older son. In a short time, the library will be dedicated with a very special lady visitor from Washington, D.C., in attendance. Hest balances foreground action against background deftly: The mystery of the baby will be a happy reveal, and the war will continue. The characters all present white. Warm family stories laced with some sorrow and great joy. (Historical fiction. 9-12) Copyright (c) Kirkus Reviews, used with permission.

On page one, eleven-year-old Julie steals a baby from the steps of the public library in a 1940s Long Island beach town. The questions that cluster around this action -- why? whose baby is it? what will Julie do with it? -- move offstage as we are introduced to the events of the immediately preceding months. Through three alternating voices -- Julie, her little sister Martha, and Bruno, the boy next door -- we encounter secrets and mysteries. Why has Bruno's older brother, away at war, stopped writing home? Why have Julie and Bruno fallen out? Who is the vaguely familiar rich woman who has turned up in town? Why is Bruno planning to sneak off to New York City? The mosaic pieces gradually come together to form a cohesive story of bereavement, war on the home front, friendship, kindness, and the energy of a new life. The multiple voices are distinctive, authentic, and equally inviting. Each child is a slightly unreliable reporter, a narrative technique that will keep readers on their toes as they try to sort everything out. There's a touch of gawky middle-grade romance, a poignant unanswered question, and even a cameo appearance by Eleanor Roosevelt in this sweet summer story. Sarah Ellis November/December 2020 p.100(c) Copyright 2020. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.