Gr 8 Up--Sixteen-year-old Amal is tried and convicted of an act of violence against a white boy. While there is a sense that he might not have done what he was accused of doing, it is unimportant whether this is the case for the book to work. Through Amal's first-person verse narration, readers learn about his aspirations as a poet and artist, as well as his experience entering the prison system as a young Black man. It is clear that Amal has had a complex relationship with his education, particularly with his art teacher, who clearly saw his talent but also did not work very hard to support Amal's burgeoning interest, and did a bad job of being a character witness at his trial. The authors do an excellent job of showing how the prison experience can dehumanize young men and how their inherent talents can be overshadowed by their feelings of powerlessness and rage. Coauthored by Zoboi and Salaam, who is one of the Exonerated Five and, as such, has firsthand experience of serving an unfair and unjust prison sentence, this book is not a memoir. Instead, it can be seen as an important statement about widespread experiences and the prison industrial complex, rather than the depiction of a single, notable case. What is clear is that this is not an isolated story. VERDICT This book will be Walter Dean Myers's Monster for a new generation of teens. An important, powerful, and beautiful novel that should be an essential purchase for any library that serves teens.--Kristin Lee Anderson, Jackson County Lib. Svcs., OR

Zoboi (Pride) and Salaam (one of the Exonerated Five) together craft a powerful indictment of institutional racism and mass incarceration through the imagined experience of Amal, a Black, Muslim 16-year-old facing imprisonment. Amal, a gifted artist and poet attending a prestigious fine arts high school, has his life turned upside down when a nighttime park confrontation leaves a white kid from the other side "of that invisible line/ we weren't supposed to cross" in a coma, and Amal and his four friends on the hook for assault and battery they did not commit. Using free verse, Zoboi and Salaam experiment with style, structure, and repetition to portray "old soul" Amal's struggle to hold on to his humanity through the chaotic, often dehumanizing experience of juvenile incarceration. From the trial onward, the authors liken the pervasive imprisonment of Black bodies to the history of chattel slavery in America ("and this door leads to a slave ship/ and maybe jail"), and describe how educational racism feeds Black students into the school-to-prison pipeline ("I failed the class/ she failed me"). Zoboi and Salaam deliver an unfiltered perspective of the anti-Blackness upholding the U.S. criminal justice system through the eyes of a wrongly convicted Black boy ("shaping me into/ the monster/ they wanted me to be"). Ages 14--up. Agent (for Zoboi and Salaam): Ammi-Joan Paquette, Erin Murphy Literary. (Sept.)

A single punch leads to a fight between Amal and his friends--all Black--and a group of white boys from a gentrifying part of his neighborhood. Amal is found guilty of assault while his friends are given plea deals. All are sent to prison, while the white boys involved are not charged at all. In prison, Amal gets a stark education on how unjust the justice system is as he witnesses guards abusing their power, administrators carelessly ignoring the welfare of the imprisoned as if their lives are disposable, and the avenues of "rehabilitation" proving to be decrepit and empty. Only Amal's painting and poetry allow him to withstand the torture of physical beatings and solitary confinement. Zoboi worked with prison reform activist Yusef Salaam to create Amal's story in verse. Yusef himself was a victim of wrongful incarceration when he and four other young men were convicted of a crime they did not commit. His experiences lend a visceral gravitas to Zoboi's pen, and together they capture Amal's emotional struggles as he grasps for hope despite his circumstances. Moreover, they accurately depict the justice system as an engine fine-tuned to crush the urban poor and young Black men in particular. Prescient and sobering, Zoboi's book is a vital story for young readers in a tumultuous time.

Reviving a friendship that goes back almost 20 years, Zoboi writes with Exonerated Five member Salaam, exploring racial tensions, criminal injustice, and radical hope for a new day. Ava DuVernay's critically acclaimed When They See Us tells the story of Salaam's wrongful conviction as a boy, a story that found its way back into the national conversation when, after nearly 7 years in prison, DNA evidence cleared his name. Although it highlights many of the same unjust systemic problems Salaam faced, this story is not a biographical rendering of his experiences. Rather, Zoboi offers readers her brilliance and precision within this novel in verse that centers on the fictional account of 16-year-old Amal Shahid. He's an art student and poet whose life dramatically shifts after he is accused of assaulting a White boy one intense night, drawing out serious questions around the treatment of Black youth and the harsh limitations of America's investment in punitive forms of justice. The writing allows many readers to see their internal voices affirmed as it uplifts street slang, Muslim faith, and hip-hop cadences, showcasing poetry's power in language rarely seen in YA literature. The physical forms of the first-person poems add depth to the text, providing a necessary calling-in to issues central to the national discourse in reimagining our relationship to police and prisons. Readers will ask: Where do we go from here? Awardworthy. Soul-stirring. A must-read. (Verse novel. 12-18) Copyright (c) Kirkus Reviews, used with permission.

Sixteen-year-old Amal Dawud Shahid (who is African American) knows he didn't throw the punch that left Jeremy Mathis (who is white) injured "so bad / that he can't wake up / to tell the truth." But Amal is nevertheless arrested and sent to trial. As this first-person verse novel begins, testimonies from witnesses are "like a scalpel / shaping me into / the monster / they want me to be." Amal is found guilty and sent to a juvenile detention center, where he is thrust into a world of unspeakable danger and despair. Even in the direst of circumstances, though, there are moments of peace for Amal -- through protection from fellow inmate Kadon and his crew, letters received from his crush, and his talents for poetry and the visual arts (Kadon calls him "Young Basquiat"); Pasha's spare but evocative black-and-white illustrations are interspersed throughout. Zoboi and Salaam's expert placement of lines on the page reinforces the harsh reality of the school-to-prison pipeline, with repeated visual and textual imagery of "squares...corners...boxes" reflecting Amal's feelings of suffocation and frustration. However, as he reminds himself, "Amal means hope," and the sympathetic, nuanced portrayal of this young man will have readers holding out hope until the novel's end. An author's note details Zoboi's connection to and ultimate collaboration with Salaam, along with his history as a member of the "Central Park Five," now the Exonerated Five. Eboni Njoku September/October 2020 p.108(c) Copyright 2020. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.