Thirteen-year-old Andi Byrd is a talented trumpeter, constantly encouraged by her supportive mother. After her mother dies and she is sent to live with relatives, Andi finds it hard to get back into her artistic groove. Her talent lands her a spot at a prestigious music camp, but the inspiration still isn't there -- until Andi meets Zora. A regular attendee of the camp, Zora has a reputation for excellence -- a reputation she's upheld at the risk of her well-being. As the only two Black girls at the predominantly white camp, Zora and Andi are initially reluctant to be lumped together but soon discover they are just what the other needs. Zora's strict practice regimen reminds Andi to focus on all aspects of the music; in turn, Andi teaches Zora that improv is welcome every now and then. As they grow closer, the girls begin to apply these lessons to other areas of their lives: Zora acknowledging her desire to be a dancer rather than a flutist, and Andi coming to terms with all the memories of her mother, not just the good ones. The novel is told in alternating first-person accounts (separated by free verse written from the viewpoint of the camp itself), and the voices of Andi and Zora are distinct and consistent, providing a comprehensive view of this coming-of-age romance. Themes of self-harm and anxiety are geared toward a middle-school audience; a list of resources appears in the author's note. Eboni Njoku May/June 2022 p.148(c) Copyright 2022. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Following her mother's death, rising eighth grader Andrea "Andi" Byrd is grieving and missing the trust and independence her artist mother afforded her. Living in a new town with her Aunt Janine and Uncle Mark, who are expecting their first child, Andi feels like she's in the way of their growing family and has lost the magic she once felt when playing the trumpet. When her aunt and uncle suggest she attend a prestigious summer music camp--with uniforms, a no-cellphone policy, and mostly White campers--she's sure that going is a mistake. However, soon she finds friendship with Christopher Flores, a quirky Filipino American logophile who is harboring family secrets and trauma of his own. She also meets Zora Johnson, a flutist and the only other Black girl there. Zora seemingly couldn't be more different: Her clothes are sparkly, and she's bubbly and groomed for perfection by her high-achieving parents. But beneath her extroverted veneer, Zora has her own dreams and desires that diverge from her parents' plans. Over time, the girls come to realize how much they have in common. Told in Andi's and Zora's alternating perspectives, the well-paced coming-of-age narrative is sprinkled with contemporary references that bolster its authenticity as it sensitively explores topics such as racism and self-harm and offers a touching portrayal of young queer love. An author's note includes mental health resources for Black women and girls and LGBTQ+ youth. Vivid writing and relatable characters make this a worthwhile read. (Fiction. 10-14) Copyright (c) Kirkus Reviews, used with permission.

Andi's mother was an artist, and she encouraged Andi's passion for music. For years, it was just Andi and her mother against the world. But everything changed for Andi when her mother died and she was left to go live with her uptight aunt and uncle in a world that wouldn't accept her. Still grappling with grief, Andi decides to go to Harmony Music Camp for the summer. It is here among the majority white faces that she meets Zora, a girl who helps her heal and grow in ways she didn't think was possible. Lockington's novel takes readers on a breathtaking, lyrical journey of the complexities of Black girlhood in a story about music, family, and recovery from loss. She weaves a tale that is both brutally honest and endearing, exposing the sincere flaws of her main characters in such a way that makes readers weep for each misstep and rejoice with each measure of success. A strong choice for collections where character-driven coming-of-age stories are popular.

Ten months after the death of her artist mother, 13-year-old Andrea "Andi" Byrd, who lives with her mother's pregnant sister, has lost any desire to express herself through her trumpet. But arriving at prestigious, predominantly white Harmony Music Camp, the rising seventh grader feels like an outsider, not used to the rigid schedule or the competition. Outside of friendship with Christopher Flores, who is of Filipino descent and navigating familial experiences of his own, Andi is often grouped with the only other Black camper: 12-year-old Zora Lee Johnson, a flautist who struggles to meet her perfectionist parents' standards. As the two build a true connection--Zora helps Andi improve her playing, while Andi helps Zora embrace her true passion--they start to trust each other with insecurities, secrets, and moments of self-discovery. Alternating the two perspectives with verse interstitials, Lockington (For Black Girls Like Me) weaves an exploration of mental health, self-harm, and microagressions with a love letter to music, the importance of representation, and the work of sticking up for the person one dreams of becoming. Ages 8--12. Agent: Jane Dystel, Dystel, Goderich & Bourret. (Apr.)

Gr 5--8--With lyricism and emotional honesty, Lockington tells the story of two girls who find hope and healing in each other at Harmony Music Camp. Andi has lost her "soul sound" on the trumpet ever since her mother, a creative and at times erratic force, died in a tragic accident. Now living with her much more pragmatic aunt and uncle, Andi can't help but see a summer away at camp as a convenient method to get her out of the way in preparation for the arrival of their new baby. Zora would much rather be dancing, but her family has mapped a very narrow path for her as a flutist, and she is beginning to break under her mother's constant expectation of perfection. Although confident and sparkly on the outside, Zora experiences intense anxiety that she releases through self-harm. As two of the only Black kids at camp, Andi and Zora are frequently thrown together by students and staff who ignorantly assume that they will automatically connect. But as they open up to each other about their fears, losses, and dreams, they actually begin to develop a real friendship, and maybe more. Andi and Zora share the narration, and each section begins with a beautiful poem written in the voice of the camp itself, which lends a warm, comforting atmosphere to the setting. VERDICT Navigating sensitive topics like body image, mental health, racism, grief, and healthy relationships with a gentle hand, this moving coming-of-age story is perfect for tweens and young teens.--Catherine Cote